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Antelope Audio, established in 2005 in Sofia, Bulgaria, earned itself a reputation as a significant digital audio pioneer thanks to its innovative high‑resolution, digital‑audio clocking technology and high‑quality digital converters. In this Case Study, we look at two very different users who have adapted to the immersive audio ecosystem within the Antelope Galaxy interface line‑up. Oliver Kadel and his team create compelling, immersive audio for their XR (Extended Reality) and immersive film production clients at his company 1.618 Digital. Established in 2014, 1.618 Digital has recently partnered with Bleat Post Production, the boutique, client‑facing, post‑production facility situated in the heart of east London’s creative scene. In contrast, audio engineer Hugh Neal crafts Atmos mixes for music clients at The Friary Studios in a leafy Buckinghamshire village.

Antelope…